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In case the articles, essays and opinions throughtout this site just weren't enough for you, here's my online diary (a.k.a. 'blog'). It's as close as you'll come to the inside of my head, so don't say I didn't warn you
(and remember, you can always e-mail me if you love or loathe anything you're about to read)...


   Thursday, April 28, 2005

   GOING DOWN TO RENO

I mentioned a couple of weeks ago that the new Bruce Springsteen album "Devils & Dust" would be released only in the dubious new DualDisc format. Imagine my surprise when the record turned up this Tuesday in a spendid two-disc set -- one CD and one surround-sound DVD -- for a lower price. You'd almost think the record industry is listening to consumers.

But enough about that -- how's the new album? Fantastic, I'm pleased to say. Springsteen's albums are like collections of short stories, Raymond Carver with a guitar, and the new batch is terrific. The title track is haunting, "Long Time Coming" blends regret and hope, and "Black Cowboys" is a tiny wonder. Overall, it's a sparse set of country tunes about sin and redemption that suggests Johnny Cash in spots.

One song, "Reno," surprises with its sexually-frank lyrics -- it's a more 'X-rated' Bruce than we're used to. This is obviously the case for Dateline NBC's Matt Lauer who interviewed Springsteen this week:

Lauer: “When's the last time you had a label on the back of the CD that said, ‘This song contains some adult images’?”

Springsteen: “I don't know if I ever heard that one before.”

Lauer: “The song they’re referring to is about a man's time with a prostitute...want to go back to that whole 'writing these in hotel rooms after the Tom Jode [sic] tour.' I'm imagining this is fiction right?”

Springsteen: “Yes, absolutely.”

Lauer: “What's that song about?”

Springsteen: “Actually, it's a love song.”

Lauer: “It's a graphic love song.”

Springsteen: “It just comes at it from a different point of view.”

Lauer: “But why did it have to be so graphic. I mean, sexual intercourse images. You know, could you not have told the story without those things?”

Springsteen: “No.”

Lauer: “No? Just leave it off the album?”

Springsteen: “No, I don't think so. And the label is to say if you're going to hand it over to your 10-year-old kid. It sort of lets the parent know along the way this story comes up. It was just part of the story. It made the story real.”

While it's a bit sad to see a TV host interrogate The Boss over his artistic choices, it's terrific seeing Bruce stick to his guns. "Reno" is a sad, lonely song written by an adult to be heard by adults. And note MSNBC's misspelling of 'Tom Joad' on the site -- if they don't know who Springsteen's hero is, there's no need for Bruce to cater to them.

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    -- posted at 5:18 PM


"Brooce" is probably America's canniest entertainer - the attention he pays to his image is every bit as careful as Madonna pays to hers. Writing a motel-room love-song isn't remarkable - for all we know, he's equally inspired to write about Smurfin' Beer - but he makes it remarkable because of who he's been up til now: The Common Soul of America Risin'. Reprising that would be tiresome and expected, so he's shaking it up a bit, and I daresay hoping to be asked questions like the ones he got on NBC.

 
Wow, you're more cynical than me -- I love it! I wish I could disagree with you but you're right, of course, and you've got Stephen Metcalf from Slate on your side.

I still maintain, however, that even pretending to side with the 'average Joe' still makes Bruce a rarity in the cultural scene. I'm still a member of his church!

 

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