This material is © 1992 by Korg Research and Development
This document contains a detailed description of the System Exclusive implementation for the Wavestation effects. It is intended to be read by those who are writing an editor/librarian program for the Wavestation line - others may find it a bit dry. :-)
Earlier versions of this document, for the Wavestation keyboard, contained several errors. These included preliminary titles of some effects and effects parameters, which have since been changed in the instrument. Additionally, several unimplemented effects parameters were erroneously listed. These included the Reverb decay time mod source and mod amount (parameters 7-9), which are not in the instrument. Separate control of the speeds of the large and small rotors in the Rotary Speaker is also not implemented; instead, there is one control each for the slow and fast rotor speeds.
With the exception of the level modulation in the Distortion and Overdrive effects, all corrections to non-extended mode effects apply to all Wavestation models.
The Effects Parameter Storage Allocation Description for the Wavestation A/ D, EX, and SR differ from the original Wavestation (keyboard) as follows:
The additional effects programs are referred to as "extended effects programs", and are stored using the "extended effects mode" in the packed storage area.
Extended effects mode is indicated by setting the MSB of the second packed storage area byte (indicated by an asterisk or "X" on the diagram in section 1.0 of this document). This byte is unused in the keyboard version and is always zero in those units. Any effects edited by the rack or newer versions of the wavestation are indicated by setting this bit.
When the extended mode bit is set, and the effect select equals the null effect, an extended program select number is stored in parameter zero, bits zero through three, of the same effect. This means that all extended mode effects will appear as the null effect on the earlier machines.
The following table is used to index the effects:
Select# Effect# P0[0:3] Effect Name Mode 2 0 0 Null Effect EXTENDED 3 1 <normal> Small Hall Reverb NORMAL <n+2> <n> <normal> <normal effect n> NORMAL 49 47 <normal> Stereo Pitch Shifter NORMAL 2 48 1 Stereo Mod Pitch Shifter EXTENDED 2 <m+47> <m> <extended effect m> EXTENDED 2 55 8 Stereo Vocoder-Delay 2 EXTENDED
The select number is packed into the storage area, the effect number is its corresponding direct-entry number, and P0[0:3] is the first four bits of the first byte in the area allocated for the effects parameters in the storage area. I.e. FX1-P0 is the 6th byte in the packed area, and FX2-P0 is the 14th byte in the packed area. (Refer to the diagram in section 1.0 of this document.)
When a storage block from the keyboard is loaded into the rack, and any effects editing is performed, the extended mode bit is always set. However, this has no effect on the normal effects, because they will always look the same in both units.
When packing effects into the storage area, the parameter storage area must be cleared first. This ensures that the keyboard will not corrupt the rack when it writes a null effect over another effect in a performance created on the rack.
Unlike the older keyboard version, the rack [and newer versions] limit the maximum select number after it is unloaded from the packed storage area to the range available to the machine. This eliminates any incompatibilities between versions that may or may not implement an extended effect.
Parameter control lists are used to bit pack the effects parameter data into the 21 bytes of storage allocated for them in the performance and multimode setup data structures. This storage is called the Fx_Perf_Block in the perf data structure, and the Fx_Multi_Block in the multiset data structure. These data structures are packed identically and are described in Section 5.1, Performance Data Structure, and Section 5.3, Multi Mode Setup Data Structure, both in Appendix 3 of the Wavestation Reference Guide.
The 21 bytes are separated into three areas as described below. The first 5 bytes are reserved for the Effect Mix (Routing) parameters; the next 8 bytes are reserved for the Effect 1 parameters, and the last 8 bytes are reserved for the Effect 2 parameters.
The PCL data structures listed below for each effect describe exactly how the 16 bit parameter data is packed into and out of the 8 bit storage block. The fields of the Parameter Control Record (pcr) are described as follows:
pcr Field Description 1st Storage block byte number. Byte 0 is first byte. 2nd Storage block bit offset. Bit 0 is LSB. Bit numbers 0-7 are valid. 3rd Parameter bit length. See text below for more information. 4th Parameter number. Parameter numbers 0-13 are valid. 5th Parameter bit offset. Bit 0 is LSB. Bit numbers 0-15 are valid.
Signed parameter bit length fields are used to control whether zero filling or sign filling is used during the transfer of the bit field. Note that all parameters split into multiple bit fields (Mix 3&4 mod amount, for example) must be packed in increasing bit order to ensure low order data is not overwritten by the sign/zero extension process. The pcl's for the Parallel and Series Routing are listed first and can be compared with the above diagram to see how this mechanism works.
The effect select and routing select fields are not listed in the pcl's because these are packed elsewhere. These fields use the same enumerated values as follows:
Select# Effect# Effect Name 0 - Parallel Routing 1 - Series Routing 2 0 Null Effect 3 1 Small Hall Reverb <n+2> <n> Effect <n> 57 55 Stereo Vocoder - Delay 2
This method is used to select the pcl for both the routing and the effects without using any special processing.
The next two sections list the pcl's for each effect and the Effect Parameter Macro's (epm's) used as default values for the parameters, respectively.
Effect parameter data is unpacked from the storage area (see above) into the workspace for the effects when the effects are changed, selected, or copied. It is packed into the storage area from the workspace when the effects are saved or a parameter is changed. The workspace is called the Effect Parameter Block (EPB) and is used to store the parameters during runtime operation.
The EPB contains 14 parameters for each effect, and 6 parameters for the routing. When a parameter is changed in the EPB, it is limit checked to eliminate errors. If a bogus value is loaded into the EPB, either from the unpacked storage block or directly from sysex or the front panel, the value will be corrected and repacked into the storage block before it is displayed or used.
The displayed value ranges for the effect parameters are listed under EDIT EFFECT 1 (2) in the Wavestation Reference Manual. Because the parameters are limit checked, and their valid numeric range can be determined largely from the total pcr bit field size and correlated to the displayed values, the numeric ranges of each effect parameter in each effect are not listed here.
Suffice to say that all numeric effect parameters are simply displayed as they are stored, and text parameters are monotonically enumerated.
NOTE: The select numbers are not limited by the software when they are unpacked and must be limited by the application that creates the packed strage area. Effect numbers over the limits shown above will cause the system to crash! I.e. if a 50 is stored in the packed area, it will crash the system.
This section lists the PCL's for all the effects. Please note all changes from earlier documents, which are marked by bold type.
pcl_pr: ; **** Parallel Routing **** pcl_sr: ; **** Series Routing **** pcr 2, 0, 4, 0, 0 ; p0 = mix 3 level pcr 3, 0, 4, 1, 0 ; p1 = mix 3 mod src pcr 4, 0, 4, 2, 0 ; p2 = mix 3 mod amt pcr 0, 6, -1, 2, 4 ; p2 = mix 3 mod amt (sign) pcr 2, 4, 4, 3, 0 ; p3 = mix 4 level pcr 3, 4, 4, 4, 0 ; p4 = mix 4 mod src pcr 4, 4, 4, 5, 0 ; p5 = mix 4 mod amt pcr 1, 6, -1, 5, 4 ; p2 = mix 3 mod amt (sign) pcl_01: ; **** Small Hall Reverb **** pcl_02: ; **** Medium Hall Reverb **** pcl_03: ; **** Large Hall Reverb **** pcl_04: ; **** Small Room Reverb **** pcl_05: ; **** Large Room Reverb **** pcl_06: ; **** Live Stage Reverb **** pcl_07: ; **** Wet Plate Reverb **** pcl_08: ; **** Dry Plate Reverb **** pcl_09: ; **** Spring Reverb **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix level pcr 6, 5, 3, 0, 4 ; p0 = dry/wet mix level (high) pcr 0, 4, 4, 1, 0 ; p1 = dry/wet mix mod src pcr 1, 0, 4, 2, 0 ; p2 = dry/wet mix mod amt pcr 3, 7, -1, 2, 4 ; p2 = dry/wet mix mod amt (sign) pcr 2, 0, 8, 3, 0 ; p3 = pre delay pcr 7, 5, 1, 3, 8 ; p3 = pre delay (high bit) pcr 5, 4, 4, 4, 0 ; p4 = ER level pcr 4, 0, 7, 5, 0 ; p5 = HF damping factor pcr 3, 0, 7, 6, 0 ; p6 = decay time pcr 5, 0, 4, 7, 0 ; p7 = reserved for future use pcr 1, 4, 4, 8, 0 ; p8 = reserved for future use pcr 4, 7, -1, 8, 4 ; p8 = reserved for future use pcr 6, 0, -5, 11, 0 ; p11 = low EQ pcr 7, 0, -5, 12, 0 ; p12 = high EQ pcl_10: ; **** Early Reflections - EQ 1 **** pcl_11: ; **** Early Reflections - EQ 2 **** pcl_12: ; **** Early Reflections - EQ 3 **** pcr 0, 0, 7, 0, 0 ; p0 = dry/wet mix level pcr 1, 0, 4, 1, 0 ; p1 = dry/wet mix mod src pcr 2, 0, -5, 2, 0 ; p2 = dry/wet mix mod amt pcr 3, 0, 8, 3, 0 ; p3 = pre delay pcr 4, 0, 8, 4, 0 ; p4 = decay time pcr 5, 0, -5, 5, 0 ; p5 = low EQ pcr 6, 0, -5, 6, 0 ; p6 = high EQ pcl_13: ; **** Forward Gated Reverb **** pcl_14: ; **** Reverse Gated Reverb **** pcr 0, 0, 7, 0, 0 ; p0 = dry/wet mix level pcr 1, 0, 7, 1, 0 ; p1 = gate hold time pcr 2, 0, 4, 2, 0 ; p2 = key source pcr 3, 0, 8, 3, 0 ; p3 = threshold pcr 4, 0, 8, 4, 0 ; p4 = pre delay pcr 5, 0, 8, 5, 0 ; p5 = decay time pcl_15: ; **** Stereo Delay **** pcl_16: ; **** Ping-Pong Delay **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix level (low) pcr 7, 2, 3, 0, 4 ; p0 = dry/wet mix level (high) pcr 0, 4, 4, 1, 0 ; p1 = dry/wet mix mod src pcr 3, 6, 2, 2, 0 ; p2 = dry/wet mix mod amt (low) pcr 5, 0, -3, 2, 2 ; p2 = dry/wet mix mod amt (high) pcr 1, 0, 4, 10, 0 ; p10 = input level mod src pcr 5, 3, -5, 11, 0 ; p11 = input level mod amt pcr 6, 0, 8, 6, 0 ; p6 = delay time (low) pcr 7, 0, 2, 6, 8 ; p6 = delay time (high) pcr 1, 4, 4, 4, 0 ; p4 = delay mod src pcr 2, 0, -8, 5, 0 ; p5 = delay mod amt pcr 3, 0, 6, 7, 0 ; p7 = delay factor pcr 4, 0, -8, 13, 0 ; p13 = feedback pcl_17: ; **** Dual Mono Delay **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix left pcr 1, 0, 8, 1, 0 ; p1 = delay time left (low) pcr 2, 0, 2, 1, 8 ; p1 = delay time left (high) pcr 3, 0, -8, 2, 0 ; p2 = feedback left pcr 4, 0, 4, 3, 0 ; p3 = dry/wet mix left pcr 5, 0, 8, 4, 0 ; p4 = delay time left (low) pcr 6, 0, 2, 4, 8 ; p4 = delay time left (high) pcr 7, 0, -8, 5, 0 ; p5 = feedback left pcl_18: ; **** Multi-tap Delay - EQ 1 **** pcl_19: ; **** Multi-tap Delay - EQ 2 **** pcl_20: ; **** Multi-tap Delay - EQ 3 **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix (low) pcr 7, 5, 3, 0, 4 ; p0 = dry/wet mix (high) pcr 0, 4, 4, 1, 0 ; p1 = dry/wet mix mod source pcr 1, 0, 4, 2, 0 ; p2 = dry/wet mix mod amount (low) pcr 2, 5, -1, 2, 4 ; p2 = dry/wet mix mod amount (high) pcr 1, 4, 4, 4, 0 ; p4 = input level mod source pcr 2, 0, -5, 5, 0 ; p5 = input level mod amount pcr 3, 0, 8, 6, 0 ; p6 = delay time 1 (low) pcr 6, 5, 1, 6, 8 ; p6 = delay time 1 (high) pcr 4, 0, 8, 7, 0 ; p7 = delay time 2 (low) pcr 6, 6, 1, 7, 8 ; p7 = delay time 2 (high) pcr 5, 0, -8, 8, 0 ; p8 = feedback pcr 6, 0, -5, 9, 0 ; p9 = low EQ pcr 7, 0, -5, 10, 0 ; p10 = high EQ pcl_21: ; **** Stereo Chorus - EQ **** pcl_22: ; **** Quadrature Chorus - EQ **** pcl_23: ; **** Crossover Chorus - EQ **** pcr 6, 7, 1, 1, 0 ; p1 = footswitch enable pcr 0, 0, 8, 3, 0 ; p3 = delay time left pcr 4, 7, 1, 3, 8 ; p3 = delay time left (high bit) pcr 1, 0, 8, 4, 0 ; p4 = delay time right pcr 5, 7, 1, 4, 8 ; p4 = delay time right (high bit) pcr 2, 0, 8, 5, 0 ; p5 = LFO rate pcr 3, 0, 4, 6, 0 ; p6 = LFO rate mod src pcr 3, 4, 4, 7, 0 ; p7 = LFO rate mod amt pcr 7, 7, -1, 7, 4 ; p7 = LFO rate mod amt (sign) pcr 4, 0, 7, 8, 0 ; p8 = LFO depth pcr 5, 0, -7, 9, 0 ; p9 = LFO shape pcr 6, 0, -5, 10, 0 ; p10 = low EQ pcr 7, 0, -5, 11, 0 ; p11 = high EQ pcl_24: ; **** Harmonic Chorus **** pcr 6, 7, 1, 1, 0 ; p1 = footswitch enable pcr 0, 0, 8, 2, 0 ; p2 = delay left pcr 5, 7, 1, 2, 8 ; p2 = delay left (high bit) pcr 1, 0, 8, 3, 0 ; p3 = delay right pcr 7, 7, 1, 3, 8 ; p3 = delay right (high bit) pcr 2, 0, 8, 4, 0 ; p4 = LFO rate pcr 4, 4, 4, 5, 0 ; p5 = LFO rate mod src pcr 7, 0, -5, 6, 0 ; p6 = LFO rate mod amt pcr 3, 0, 7, 7, 0 ; p7 = LFO depth pcr 4, 0, 4, 8, 0 ; p8 = LFO depth mod src pcr 5, 0, -5, 9, 0 ; p9 = LFO depth mod amt pcr 6, 0, 7, 10, 0 ; p10 = split point pcl_25: ; **** Stereo Flanger - EQ 1 **** pcl_26: ; **** Stereo Flanger - EQ 2 **** pcl_27: ; **** Crossover Flanger - EQ **** pcr 7, 0, -5, 0, 0 ; p0 = output mix pcr 1, 7, 1, 1, 0 ; p1 = footswitch enable pcr 0, 0, 8, 3, 0 ; p3 = top delay pcr 1, 0, 7, 4, 0 ; p4 = range pcr 2, 0, 8, 5, 0 ; p5 = ramp speed pcr 3, 0, 4, 6, 0 ; p6 = ramp speed mod src pcr 4, 0, -8, 7, 0 ; p7 = ramp speed mod amt pcr 5, 0, -8, 8, 0 ; p8 = resonance pcr 6, 0, 4, 9, 0 ; p9 = low EQ pcr 6, 4, 4, 10, 0 ; p10 = high EQ pcr 3, 4, -1, 9, 5 ; p9 = low EQ (sign) pcr 3, 5, -1, 10, 5 ; p10 = high EQ (sign) pcl_28: ; **** Enhancer - Exciter - EQ **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix pcr 1, 0, 7, 1, 0 ; p1 = harmonic density pcr 2, 0, 4, 2, 0 ; p2 = hot spot pcr 3, 0, 7, 3, 0 ; p3 = stereo width pcr 4, 0, 7, 4, 0 ; p4 = delay pcr 5, 0, -5, 5, 0 ; p5 = low EQ pcr 6, 0, -5, 6, 0 ; p6 = high EQ /* Please note the addition of the level mod source and amount to the Distortion and Overdrive effects. These are new for the A/D. Unlike the extended mode effects, the new Distortion and Overdrive can be transferred to older Wavestation keyboards, which will simply ignore the extra parameters.*/ pcl_29: ; **** Distortion - Filter - EQ **** pcl_30: ; **** Overdrive - Filter - EQ **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix pcr 2, 7, 1, 1, 0 ; p1 = footswitch enable pcr 1, 0, 8, 2, 0 ; p2 = edge (drive level) pcr 2, 0, 7, 3, 0 ; p3 = hot spot (filter frequency) pcr 0, 4, 4, 4, 0 ; p4 = hot spot mod source pcr 3, 0, -5, 5, 0 ; p5 = hot spot mod amount pcr 4, 0, 7, 6, 0 ; p6 = resonance pcr 5, 0, -5, 7, 0 ; p7 = low EQ pcr 6, 0, -5, 8, 0 ; p8 = high EQ pcr 7, 0, 7, 9, 0 ; p9 = level (output level) pcr 3, 5, 3, 10, 0 ; p9 = level mod source pcr 4, 7, 1, 10, 3 ; p9 = level mod source (high bit) pcr 5, 5, 3, 11, 0 ; p9 = level mod amount pcr 6, 5, -2, 11, 3 ; p9 = level mod amount (high bits) pcl_31: ; **** Stereo Phaser 1 **** pcl_32: ; **** Stereo Phaser 2 **** pcr 0, 0, -5, 0, 0 ; p0 = dry/wet mix pcr 1, 7, 1, 1, 0 ; p1 = footswitch pcr 1, 0, 7, 2, 0 ; p2 = center pcr 2, 0, 8, 3, 0 ; p3 = LFO rate pcr 5, 4, 4, 4, 0 ; p4 = LFO rate mod source pcr 3, 0, -5, 5, 0 ; p5 = LFO rate mod amount pcr 4, 0, 7, 6, 0 ; p6 = LFO depth pcr 5, 0, 4, 7, 0 ; p7 = LFO depth mod source pcr 6, 0, -5, 8, 0 ; p8 = LFO depth mod amount pcr 7, 0, -8, 9, 0 ; p9 = feedback pcl_33: ; **** Rotary Speaker **** pcr 6, 0, 4, 0, 0 ; p0 = dry/wet mix pcr 6, 4, 1, 1, 0 ; p1 = footswitch enable pcr 5, 4, 4, 2, 0 ; p2 = vibrato depth pcr 4, 4, 4, 4, 0 ; p4 = rotor acceleration pcr 4, 0, 4, 5, 0 ; p5 = rotor speed mod source pcr 3, 0, 8, 6, 0 ; p6 = rotor slow speed pcr 2, 0, 8, 7, 0 ; p7 = rotor fast speed pcr 1, 0, 8, 8, 0 ; p8 = reserved for future use pcr 0, 0, 8, 9, 0 ; p9 = reserved for future use pcl_34: ; **** Stereo mod-pan - EQ **** pcl_35: ; **** Quadrature mod-pan - EQ **** pcr 0, 0, 4, 0, 0 ; p0 = dry/wet mix pcr 0, 4, 4, 1, 0 ; p1 = dry/wet mix mod source pcr 1, 0, -5, 2, 0 ; p2 = dry/wet mix mod amount pcr 2, 0, 8, 3, 0 ; p3 = LFO rate pcr 3, 0, 4, 4, 0 ; p4 = LFO depth pcr 3, 4, 4, 5, 0 ; p5 = LFO depth mod source pcr 4, 0, -5, 6, 0 ; p6 = LFO depth mod amount pcr 5, 0, -5, 7, 0 ; p7 = low EQ pcr 6, 0, -5, 8, 0 ; p8 = high EQ pcl_36: ; **** Stereo Parametric EQ **** pcr 6, 0, 6, 0, 0 ; p0 = low freq pcr 0, 0, 4, 1, 0 ; p1 = low level (low) pcr 1, 7, -1, 1, 4 ; p1 = low level (high) pcr 1, 0, 7, 2, 0 ; p2 = mid freq pcr 4, 0, 4, 3, 0 ; p3 = mid freq mod source pcr 2, 0, 4, 4, 0 ; p4 = mid freq mod amount (low) pcr 3, 7, -1, 4, 4 ; p4 = mid freq mod amount (high) pcr 5, 0, -5, 5, 0 ; p5 = mid level pcr 3, 0, 7, 6, 0 ; p6 = mid width pcr 7, 0, 6, 7, 0 ; p7 = high freq pcr 4, 4, 4, 8, 0 ; p8 = high level (low) pcr 5, 5, -1, 8, 4 ; p8 = high level (high) pcl_37: ; **** Chorus-Stereo Delay **** pcl_38: ; **** Flanger-Stereo Delay **** pcr 5, 4, 4, 0, 0 ; p0 = chorus/flanger delay time (low) pcr 6, 5, 2, 0, 4 ; p0 = chorus/flanger delay time (high) pcr 0, 0, 8, 1, 0 ; p1 = LFO rate pcr 1, 0, 7, 2, 0 ; p2 = LFO depth pcr 2, 0, -8, 3, 0 ; p3 = chorus/flanger feedback pcr 5, 0, 4, 4, 0 ; p4 = echo dry/wet mix pcr 7, 5, 3, 4, 4 ; p4 = echo dry/wet mix (high nibble) pcr 3, 0, 8, 5, 0 ; p5 = echo delay time (low) pcr 1, 7, 1, 5, 8 ; p5 = echo delay time (high) pcr 6, 7, 1, 7, 0 ; p7 = footswitch sample enable pcr 4, 0, -8, 8, 0 ; p8 = echo feedback pcr 6, 0, -5, 9, 0 ; p9 = low EQ pcr 7, 0, -5, 10, 0 ; p10 = high EQ pcl_39: ; **** Delay/Hall **** pcl_40: ; **** Delay/Room **** pcr 0, 0, 4, 0, 0 ; p0 = dly dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dly delay time (low) pcr 2, 0, 2, 1, 8 ; p1 = dly delay time (high) pcr 3, 0, -8, 2, 0 ; p2 = dly feedback pcr 4, 0, 7, 3, 0 ; p3 = reverb dry/wet mix pcr 5, 0, 8, 4, 0 ; p4 = reverb pre-delay (low) pcr 2, 2, 2, 4, 0 ; p4 = reverb pre-delay (high) pcr 6, 0, 7, 5, 0 ; p5 = reverb decay time pcr 7, 0, 7, 6, 0 ; p6 = reverb HF damping pcl_41: ; **** Delay/Chorus **** pcl_42: ; **** Delay/Flanger **** pcr 0, 0, 4, 0, 0 ; p0 = dly dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dly delay time (low) pcr 2, 0, 2, 1, 8 ; p1 = dly delay time (high) pcr 3, 0, -8, 2, 0 ; p2 = dly feedback pcr 4, 0, 8, 3, 0 ; p3 = flgr/chr delay time pcr 5, 0, 8, 4, 0 ; p4 = flgr/chr LFO rate pcr 6, 0, 7, 5, 0 ; p5 = flgr/chr LFO depth pcr 7, 0, -8, 6, 0 ; p6 = flgr/chr feedback pcl_43: ; **** Delay/Distortion-filter **** pcl_44: ; **** Delay/Overdrive-filter **** pcr 0, 0, 4, 0, 0 ; p0 = dly dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dly delay time (low) pcr 2, 0, 2, 1, 8 ; p1 = dly delay time (high) pcr 3, 0, -8, 2, 0 ; p2 = dly feedback pcr 4, 0, 8, 3, 0 ; p3 = edge (distortion drive) pcr 5, 0, 8, 4, 0 ; p4 = hot spot (filter frequency) pcr 6, 0, 8, 5, 0 ; p5 = filter resonance pcr 7, 0, 8, 6, 0 ; p6 = distortion level pcl_45: ; **** Delay/Phaser **** pcr 0, 0, 4, 0, 0 ; p0 = dly dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dly delay time (low) pcr 2, 0, 2, 1, 8 ; p1 = dly delay time (high) pcr 3, 0, -8, 2, 0 ; p2 = dly feedback pcr 4, 0, 7, 3, 0 ; p3 = phaser center pcr 5, 0, 8, 4, 0 ; p4 = phaser LFO rate pcr 6, 0, 7, 5, 0 ; p5 = phaser LFO depth pcr 7, 0, -8, 6, 0 ; p6 = phaser feedback pcl_46: ; **** Delay/Rotary Speaker **** pcr 0, 0, 4, 0, 0 ; p0 = dly dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dly delay time (low) pcr 2, 0, 2, 1, 8 ; p1 = dly delay time (high) pcr 3, 0, -8, 2, 0 ; p2 = dly feedback pcr 6, 0, 4, 4, 0 ; p4 = rotor acceleration pcr 6, 4, 4, 5, 0 ; p5 = rotor speed mod source pcr 4, 0, 8, 6, 0 ; p6 = slow rotor speed pcr 5, 0, 8, 7, 0 ; p7 = fast rotor speed pcl_47: ; **** Stereo Pitch Shifter **** pcr 0, 0, 8, 0, 0 ; p0 = dry/wet mix pcr 1, 0, 8, 1, 0 ; p1 = dry/wet mix mod source pcr 2, 0, 8, 2, 0 ; p2 = dry/wet mix mod amount pcr 3, 0, 8, 3, 0 ; p3 = pitch shift pcr 4, 0, 8, 4, 0 ; p4 = delay left pcr 6, 0, 1, 4, 8 ; p4 = delay left (high bit) pcr 5, 0, 8, 5, 0 ; p5 = delay right pcr 7, 0, 1, 5, 8 ; p5 = delay right (high bit) ;********************************************************************* ;* * ;* NOTE: All effects after this point are expanded mode effects. * ;* The first four bits of p0 must be left blank to allow * ;* room for the macro number. * ;* * ;* pcr 0, 0, 4, x, x ; p0 = macro number (reserved) * ;* * ;********************************************************************* pcl_48: ; **** Mod Pitch Shift - Delay **** pcr 0, 4, 4, 0, 0 ; p0 = dry/wet mix pcr 1, 0, 4, 1, 0 ; p1 = dry/wet mix mod source pcr 1, 4, 4, 2, 0 ; p2 = dry/wet mix mod amount pcr 4, 5, -1, 2, 4 ; p2 = dry/wet mix mod amount (sign bit) pcr 2, 0, 4, 3, 0 ; p3 = max pitch shift pcr 4, 6, -1, 3, 4 ; p3 = max pitch shift (sign bit) pcr 3, 0, 7, 4, 0 ; p4 = shift scaler range pcr 2, 4, 4, 5, 0 ; p5 = shift scaler mod source pcr 4, 0, -5, 6, 0 ; p6 = shift scaler mod amount pcr 5, 0, 8, 7, 0 ; p7 = delay right pcr 3, 7, 1, 7, 8 ; p7 = delay right (high bit) pcr 6, 0, 8, 8, 0 ; p8 = delay left pcr 4, 7, 1, 8, 8 ; p8 = delay left (high bit) pcr 7, 0, 8, 9, 0 ; p9 = feedback pcl_49: ; **** Stereo Comp-Lim/Gate **** pcr 1, 0, 5, 0, 0 ; p0 = control source pcr 2, 0, 7, 1, 0 ; p1 = control sensitivity pcr 3, 0, 7, 2, 0 ; p2 = compression ratio pcr 4, 0, 7, 3, 0 ; p3 = compression threshold pcr 5, 0, 7, 4, 0 ; p4 = gate threshold pcr 6, 0, 7, 5, 0 ; p5 = output level pcl_50: ; **** Small Vocoder 1 **** pcl_51: ; **** Small Vocoder 2 **** pcl_52: ; **** Small Vocoder 3 **** pcl_53: ; **** Small Vocoder 4 **** pcr 0, 4, 2, 0, 0 ; p0 = modulator bus pcr 1, 0, 7, 1, 0 ; p1 = modulator sensitivity pcr 0, 6, 2, 2, 0 ; p2 = carrier bus pcr 2, 0, 7, 3, 0 ; p3 = carrier sensitivity pcr 3, 0, 4, 4, 0 ; p4 = sibilance pcr 3, 4, 4, 5, 0 ; p5 = sibilance mod src pcr 4, 0, -5, 6, 0 ; p6 = sibilance mod amt pcl_54: ; **** Stereo Vocoder-Delay 1 **** pcl_55: ; **** Stereo Vocoder-Delay 2 **** pcr 3, 4, 2, 0, 0 ; p0 = modulator bus pcr 2, 0, 7, 1, 0 ; p1 = modulator sensitivity pcr 3, 6, 2, 2, 0 ; p2 = carrier bus pcr 1, 0, 7, 3, 0 ; p3 = carrier sensitivity pcr 0, 4, 4, 4, 0 ; p4 = sibilance pcr 3, 0, 4, 5, 0 ; p5 = sibilance mod src pcr 4, 0, 4, 6, 0 ; p6 = sibilance mod amt pcr 2, 7, -1, 6, 4 ; p6 = sibilance mod amt (sign) pcr 4, 4, 4, 7, 0 ; p7 = stereo width pcr 5, 0, 8, 8, 0 ; p8 = delay time pcr 6, 7, 1, 8, 8 ; p8 = delay time (bit8) pcr 7, 7, 1, 8, 9 ; p8 = delay time (bit9) pcr 6, 0, 7, 9, 0 ; p9 = delay feedback pcr 7, 0, 7, 10, 0 ; p10 = delay level
This section lists the default parameter values for each effect. Each epm value corresponds to the actual bit field described by the pcr for the parameter in the pcl for the effect.
epm_pr: ; **** Parallel Routing **** epm 1 ; p0 = mix 3 level epm 0 ; p1 = mix 3 mod src epm 0 ; p2 = mix 3 mod amt epm 0 ; p2 = mix 3 mod amt (sign) epm 11 ; p3 = mix 4 level epm 0 ; p4 = mix 4 mod src epm 0 ; p5 = mix 4 mod amt epm 0 ; p2 = mix 3 mod amt (sign) epm_sr: ; **** Series Routing **** epm 11 ; p0 = mix 3 level epm 0 ; p1 = mix 3 mod src epm 0 ; p2 = mix 3 mod amt epm 0 ; p2 = mix 3 mod amt (sign) epm 11 ; p3 = mix 4 level epm 0 ; p4 = mix 4 mod src epm 0 ; p5 = mix 4 mod amt epm 0 ; p2 = mix 3 mod amt (sign) epm_01: ; **** Small Hall Reverb **** epm 14 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 55 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 5 ; p4 = ER level epm 55 ; p5 = decay time epm 40 ; p6 = HF damping factor epm 0 ; p7 = reserved for future use epm 0 ; p8 = reserved for future use epm 0 ; p8 = reserved for future use epm -2 ; p11 = low EQ epm 0 ; p12 = high EQ epm_02: ; **** Medium Hall Reverb **** epm 14 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 65 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 5 ; p4 = ER level epm 65 ; p5 = decay time epm 45 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm -2 ; p11 = low EQ epm -2 ; p12 = high EQ epm_03: ; **** Large Hall Reverb **** epm 14 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 170 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 5 ; p4 = ER level epm 70 ; p5 = decay time epm 40 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm 0 ; p11 = low EQ epm -2 ; p12 = high EQ epm_04: ; **** Small Room Reverb **** epm 13 ; p0 = dry/wet mix level epm 2 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 22 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 7 ; p4 = ER level epm 12 ; p5 = decay time epm 20 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm 1 ; p11 = low EQ epm -1 ; p12 = high EQ epm_05: ; **** Large Room Reverb **** epm 3 ; p0 = dry/wet mix level epm 2 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 55 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 8 ; p4 = ER level epm 25 ; p5 = decay time epm 20 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm 1 ; p11 = low EQ epm -4 ; p12 = high EQ epm_06: ; **** Live Stage Reverb **** epm 3 ; p0 = dry/wet mix level epm 2 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 25 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 8 ; p4 = ER level epm 40 ; p5 = decay time epm 30 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm -1 ; p11 = low EQ epm -1 ; p12 = high EQ epm_07: ; **** Wet Plate Reverb **** epm 14 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 50 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 1 ; p4 = ER level epm 60 ; p5 = decay time epm 30 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm -1 ; p11 = low EQ epm -1 ; p12 = high EQ epm_08: ; **** Dry Plate Reverb **** epm 4 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 60 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 10 ; p4 = ER level epm 40 ; p5 = decay time epm 20 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm 2 ; p11 = low EQ epm 6 ; p12 = high EQ epm_09: ; **** Spring Reverb **** epm 4 ; p0 = dry/wet mix level epm 1 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p3 = pre delay epm 0 ; p3 = pre delay (high bit) epm 5 ; p4 = ER level epm 50 ; p5 = decay time epm 30 ; p6 = HF damping factor epm 0 ; p7 = decay time mod src epm 0 ; p8 = decay time mod amt epm 0 ; p8 = decay time mod amt epm 3 ; p11 = low EQ epm 4 ; p12 = high EQ epm_10: ; **** Early Reflections - EQ 1 **** epm_11: ; **** Early Reflections - EQ 2 **** epm_12: ; **** Early Reflections - EQ 3 **** epm 50 ; p0 = dry/wet mix level epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 20 ; p3 = pre delay epm 40 ; p4 = decay time epm 0 ; p5 = low EQ epm 0 ; p6 = high EQ epm_13: ; **** Forward Gated Reverb **** epm 50 ; p0 = dry/wet mix level epm 10 ; p1 = gate hold time epm 6 ; p2 = key source epm 50 ; p3 = threshold epm 0 ; p4 = pre delay epm 30 ; p5 = decay time epm_14: ; **** Reverse Gated Reverb **** epm 50 ; p0 = dry/wet mix level epm 30 ; p1 = gate hold time epm 6 ; p2 = key source epm 50 ; p3 = trigger level epm 20 ; p4 = pre delay epm 35 ; p5 = decay time epm_15: ; **** Stereo Delay **** epm 8 ; p0 = dry/wet mix level (low) epm 2 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p10 = input level mod src epm 0 ; p11 = input level mod amt epm 0 ; p6 = delay time (low) epm 1 ; p6 = delay time (high) epm 0 ; p4 = delay mod src epm 0 ; p5 = delay mod amt epm 1 ; p7 = delay factor epm 40 ; p13 = feedback epm_16: ; **** Ping-Pong Delay **** epm 8 ; p0 = dry/wet mix level (low) epm 2 ; p0 = dry/wet mix level (high) epm 0 ; p1 = dry/wet mix mod src epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p2 = dry/wet mix mod amt epm 0 ; p10 = input level mod src epm 0 ; p11 = input level mod amt epm 0 ; p6 = delay time (low) epm 1 ; p6 = delay time (high) epm 0 ; p4 = delay mod src epm 0 ; p5 = delay mod amt epm 0 ; p7 = delay factor epm 40 ; p13 = feedback epm_17: ; **** Dual Mono Delay **** epm 5 ; p0 = dry/wet mix left epm 200 ; p1 = delay left (low) epm 0 ; p1 = delay left (high) epm 55 ; p2 = feedback left epm 5 ; p3 = dry/wet mix right epm 144 ; p4 = delay right (low) epm 1 ; p4 = delay right (high) epm 45 ; p5 = feedback right epm_18: ; **** Multi-tap Delay - EQ 1 **** epm 2 ; p0 = dry/wet mix (low) epm 3 ; p0 = dry/wet mix (high) epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount (low) epm 0 ; p2 = dry/wet mix mod amount (high) epm 0 ; p4 = input level mod source epm 0 ; p5 = input level mod amount epm 44 ; p6 = delay time 1 (low) epm 1 ; p6 = delay time 1 (high) epm 144 ; p7 = delay time 2 (low) epm 1 ; p7 = delay time 2 (high) epm 50 ; p8 = feedback epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm_19: ; **** Multi-tap Delay - EQ 2 **** epm 2 ; p0 = dry/wet mix (low) epm 3 ; p0 = dry/wet mix (high) epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount (low) epm 0 ; p2 = dry/wet mix mod amount (high) epm 0 ; p4 = input level mod source epm 0 ; p5 = input level mod amount epm 11 ; p6 = delay time 1 (low) epm 1 ; p6 = delay time 1 (high) epm 144 ; p7 = delay time 2 (low) epm 1 ; p7 = delay time 2 (high) epm 50 ; p8 = feedback epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm_20: ; **** Multi-tap Delay - EQ 3 **** epm 2 ; p0 = dry/wet mix (low) epm 3 ; p0 = dry/wet mix (high) epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount (low) epm 0 ; p2 = dry/wet mix mod amount (high) epm 0 ; p4 = input level mod source epm 0 ; p5 = input level mod amount epm 44 ; p6 = delay time 1 (low) epm 1 ; p6 = delay time 1 (high) epm 144 ; p7 = delay time 2 (low) epm 1 ; p7 = delay time 2 (high) epm 50 ; p8 = feedback epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm_21: ; **** Stereo Chorus - EQ **** epm 0 ; p1 = footswitch enable epm 11 ; p3 = delay time left epm 0 ; p3 = delay time left (high bit) epm 23 ; p4 = delay time right epm 0 ; p4 = delay time right (high bit) epm 15 ; p5 = LFO rate epm 0 ; p6 = LFO rate mod src epm 0 ; p7 = LFO rate mod amt epm 0 ; p7 = LFO rate mod amt (sign) epm 60 ; p8 = LFO depth epm 10 ; p9 = LFO shape epm 0 ; p10 = low EQ epm 0 ; p11 = high EQ epm_22: ; **** Quadrature Chorus - EQ **** epm_23: ; **** Crossover Chorus - EQ **** epm 0 ; p1 = footswitch enable epm 11 ; p3 = delay time left epm 0 ; p3 = delay time left (high bit) epm 23 ; p4 = delay time right epm 0 ; p4 = delay time right (high bit) epm 33 ; p5 = LFO rate epm 0 ; p6 = LFO rate mod src epm 0 ; p7 = LFO rate mod amt epm 0 ; p7 = LFO rate mod amt (sign) epm 50 ; p8 = LFO depth epm -11 ; p9 = LFO shape epm 0 ; p10 = low EQ epm 0 ; p11 = high EQ epm_24: ; **** Harmonic Chorus **** epm 0 ; p1 = footswitch enable epm 22 ; p2 = delay left epm 0 ; p2 = delay left (high bit) epm 46 ; p3 = delay right epm 0 ; p3 = delay right (high bit) epm 35 ; p4 = LFO rate epm 2 ; p5 = LFO rate mod src epm 7 ; p6 = LFO rate mod amt epm 100 ; p7 = LFO depth epm 2 ; p8 = LFO depth mod src epm -7 ; p9 = LFO depth mod amt epm 1 ; p10 = split point epm_25: ; **** Stereo Flanger - EQ 1 **** epm -8 ; p0 = output mix epm 0 ; p1 = footswitch enable epm 5 ; p3 = top delay epm 100 ; p4 = range epm 20 ; p5 = ramp speed epm 12 ; p6 = ramp speed mod src epm 2 ; p7 = ramp speed mod amt epm -85 ; p8 = resonance epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm 0 ; p9 = low EQ (sign) epm 0 ; p10 = high EQ (sign) epm_26: ; **** Stereo Flanger - EQ 2 **** epm 5 ; p0 = output mix epm 0 ; p1 = footswitch enable epm 10 ; p3 = top delay epm 100 ; p4 = range epm 20 ; p5 = ramp speed epm 0 ; p6 = ramp speed mod src epm 0 ; p7 = ramp speed mod amt epm 85 ; p8 = resonance epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm 0 ; p9 = low EQ (sign) epm 0 ; p10 = high EQ (sign) epm_27: ; **** Crossover Flanger - EQ **** epm -5 ; p0 = output mix epm 0 ; p1 = footswitch enable epm 50 ; p3 = top delay epm 100 ; p4 = range epm 0 ; p5 = ramp speed epm 5 ; p6 = ramp speed mod src epm -15 ; p7 = ramp speed mod amt epm 85 ; p8 = resonance epm 3 ; p9 = low EQ epm 3 ; p10 = high EQ epm 0 ; p9 = low EQ (sign) epm 0 ; p10 = high EQ (sign) epm_28: ; **** Enhancer - Exciter - EQ **** epm 11 ; p0 = dry/wet mix epm 80 ; p1 = harmonic density epm 1 ; p2 = hot spot epm 50 ; p3 = stereo width epm 25 ; p4 = delay epm 1 ; p5 = low EQ epm 1 ; p6 = high EQ /* Please note again the addition of the level mod source and amount to the Distortion and Overdrive effects. These are new for the A/D.*/ epm_29: ; **** Distortion-Filter-EQ **** epm 10 ; p0 = dry/wet mix epm 0 ; p1 = footswitch enable epm 111 ; p2 = edge (drive level) epm 5 ; p3 = hot spot (filter frequency) epm 5 ; p4 = hot spot mod source epm 5 ; p5 = hot spot mod amount epm 80 ; p6 = resonance epm 2 ; p7 = low EQ epm -12 ; p8 = high EQ epm 10 ; p9 = level (output level) epm 0 ; p10 = level mod source epm 0 ; p10 = level mod source (high bit) epm 0 ; p11 = level mod amount epm 0 ; p11 = level mod amount (high bits) epm_30: ; **** Overdrive-Filter-EQ **** epm 10 ; p0 = dry/wet mix epm 0 ; p1 = footswitch enable epm 50 ; p2 = edge (drive level) epm 45 ; p3 = hot spot (filter frequency) epm 0 ; p4 = hot spot mod source epm 0 ; p5 = hot spot mod amount epm 0 ; p6 = resonance epm 3 ; p7 = low EQ epm -3 ; p8 = high EQ epm 20 ; p9 = level (output level) epm 0 ; p10 = level mod source epm 0 ; p10 = level mod source (high bit) epm 0 ; p11 = level mod amount epm 0 ; p11 = level mod amount (high bits) epm_31: ; **** Stereo Phaser 1 **** epm -5 ; p0 = dry/wet mix epm 0 ; p1 = footswitch epm 40 ; p2 = center epm 6 ; p3 = LFO rate epm 12 ; p4 = LFO rate mod source epm 5 ; p5 = LFO rate mod amount epm 30 ; p6 = LFO depth epm 0 ; p7 = LFO depth mod source epm 0 ; p8 = LFO depth mod amount epm 70 ; p9 = feedback epm_32: ; **** Stereo Phaser 2 **** epm 5 ; p0 = dry/wet mix epm 0 ; p1 = footswitch epm 27 ; p2 = center epm 20 ; p3 = LFO rate epm 12 ; p4 = LFO rate mod source epm 2 ; p5 = LFO rate mod amount epm 97 ; p6 = LFO depth epm 0 ; p7 = LFO depth mod source epm 0 ; p8 = LFO depth mod amount epm -30 ; p9 = feedback epm_33: ; **** Rotary Speaker **** epm 10 ; p0 = dry/wet mix epm 0 ; p1 = footswitch enable epm 9 ; p2 = vibrato depth epm 4 ; p4 = rotor acceleration epm 12 ; p5 = rotor speed mod source epm 25 ; p6 = rotor slow speed epm 70 ; p7 = rotor fast speed epm 20 ; p8 = reserved for future use epm 60 ; p9 = reserved for future use epm_34: ; **** Stereo mod-pan - EQ **** epm_35: ; **** Quadrature mod-pan - EQ **** epm 11 ; p0 = dry/wet mix epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount epm 20 ; p3 = LFO rate epm 10 ; p4 = LFO depth epm 0 ; p5 = LFO depth mod source epm 0 ; p6 = LFO depth mod amount epm 0 ; p7 = low EQ epm 0 ; p8 = high EQ epm_36: ; **** Stereo Parametric EQ **** epm 12 ; p0 = low freq epm 12 ; p1 = low gain (low) epm 0 ; p1 = low gain (high) epm 8 ; p2 = mid freq epm 12 ; p3 = mid freq mod source epm 6 ; p4 = mid freq mod amount (low) epm 0 ; p4 = mid freq mod amount (high) epm 12 ; p5 = mid gain epm 50 ; p6 = mid width epm 20 ; p7 = high freq epm 12 ; p8 = high gain (low) epm 0 ; p8 = high gain (high) epm_37: ; **** Chorus-Stereo Delay **** epm 27 ; p0 = chorus/flanger delay time (low) epm 0 ; p0 = chorus/flanger delay time (high) epm 30 ; p1 = LFO rate epm 50 ; p2 = LFO depth epm 10 ; p3 = chorus/flanger feedback epm 14 ; p4 = echo dry/wet mix epm 1 ; p4 = echo dry/wet mix (high nibble) epm 110 ; p5 = echo delay time (low) epm 0 ; p5 = echo delay time (high) epm 0 ; p7 = footswitch sample enable epm -10 ; p8 = echo feedback epm 2 ; p9 = low EQ epm 2 ; p10 = high EQ epm_38: ; **** Flanger-Stereo Delay **** epm 0 ; p0 = chorus/flanger delay time (low) epm 0 ; p0 = chorus/flanger delay time (high) epm 10 ; p1 = LFO rate epm 50 ; p2 = LFO depth epm -90 ; p3 = chorus/flanger feedback epm 2 ; p4 = echo dry/wet mix epm 3 ; p4 = echo dry/wet mix (high nibble) epm 144 ; p5 = echo delay time (low) epm 1 ; p5 = echo delay time (high) epm 0 ; p7 = footswitch sample enable epm 60 ; p8 = echo feedback epm 0 ; p9 = low EQ epm 0 ; p10 = high EQ epm_39: ; **** Delay/Hall **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 20 ; p3 = reverb dry/wet mix epm 150 ; p4 = reverb pre-delay (low) epm 0 ; p4 = reverb pre-deley (high) epm 99 ; p5 = reverb decay time epm 30 ; p6 = reverb HF damping epm_40: ; **** Delay/Room **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 40 ; p3 = reverb dry/wet mix epm 0 ; p4 = reverb pre-delay (low) epm 0 ; p4 = reverb pre-deley (high) epm 30 ; p5 = reverb decay time epm 30 ; p6 = reverb HF damping epm_41: ; **** Delay/Chorus **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 50 ; p3 = chr delay time epm 30 ; p4 = chr LFO rate epm 50 ; p5 = chr LFO depth epm 0 ; p6 = chr feedback epm_42: ; **** Delay/Flanger **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 0 ; p3 = flgr delay time epm 9 ; p4 = flgr LFO rate epm 50 ; p5 = flgr LFO depth epm 85 ; p6 = flgr feedback epm_43: ; **** Delay/Distortion-filter **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 111 ; p3 = edge (distortion drive) epm 50 ; p4 = hot spot (filter frequency) epm 75 ; p5 = filter resonance epm 5 ; p6 = distortion level epm_44: ; **** Delay/Overdrive-filter **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 50 ; p3 = distortion drive (edge) epm 90 ; p4 = filter frequency (hot spot) epm 0 ; p5 = filter resonance epm 15 ; p6 = distortion level epm_45: ; **** Delay/Phaser **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 35 ; p3 = phaser center epm 5 ; p4 = phaser LFO rate epm 30 ; p5 = phaser LFO depth epm 70 ; p6 = phaser feedback epm_46: ; **** Delay/Rotary Speaker **** epm 5 ; p0 = dly dry/wet mix epm 250 ; p1 = dly delay time (low) epm 0 ; p1 = dly delay time (high) epm 40 ; p2 = dly feedback epm 4 ; p4 = rotor acceleration epm 12 ; p5 = rotor speed mod source epm 25 ; p6 = slow rotor speed epm 70 ; p7 = fast rotor speed epm_47: ; **** Stereo Pitch Shifter **** epm 6 ; p0 = dry/wet mix epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount epm 12 ; p3 = pitch shift epm 30 ; p4 = delay left epm 0 ; p4 = delay left (high bit) epm 50 ; p5 = delay right epm 0 ; p5 = delay right (high bit) **************************************************************************** * * Below this point are the expanded effects. * **************************************************************************** epm_48: ; **** Mod Pitch Shift - Delay **** epm 6 ; p0 = dry/wet mix epm 0 ; p1 = dry/wet mix mod source epm 0 ; p2 = dry/wet mix mod amount epm 0 p2 = dry/wet mix mod amount (sign bit) epm 7 ; p3 = max pitch shift epm 0 ; p3 = max pitch shift (sign bit) epm 100 ; p4 = shift scaler range epm 0 ; p5 = shift scaler mod source epm 0 ; p6 = shift scaler mod amount epm 30 ; p7 = delay right epm 0 ; p7 = delay right (high bit) epm 50 ; p8 = delay left epm 0 ; p8 = delay left (high bit) epm 20 ; p9 = feedback epm_49: ; **** Stereo Comp-Lim/Gate **** epm 0 ; p0 = control source epm 100 ; p1 = control sensitivity epm 95 ; p2 = compression ratio epm 1 ; p3 = compression threshold epm 1 ; p4 = gate threshold epm 20 ; p5 = output level epm_50: ; **** Small Vocoder 1 **** epm_51: ; **** Small Vocoder 2 **** epm_52: ; **** Small Vocoder 3 **** epm_53: ; **** Small Vocoder 4 **** epm 0 ; p0 = modulator bus epm 50 ; p1 = modulator sensitivity epm 1 ; p2 = carrier bus epm 50 ; p3 = carrier sensitivity epm 0 ; p4 = sibilance epm 6 ; p5 = sibilance mod src epm 8 ; p6 = sibilance mod amt epm_54: ; **** Stereo Vocoder-Dly 1 **** epm_55: ; **** Stereo Vocoder-Dly 2 **** epm 0 ; p0 = modulator bus epm 50 ; p1 = modulator sensitivity epm 1 ; p2 = carrier bus epm 50 ; p3 = carrier sensitivity epm 0 ; p4 = sibilance epm 6 ; p5 = sibilance mod src epm 8 ; p6 = sibilance mod amt epm 0 ; p6 = sibilance mod amt (sign) epm 10 ; p7 = stereo width epm 50 ; p8 = delay time epm 0 ; p8 = delay time (bit8) epm 0 ; p8 = delay time (bit9) epm 30 ; p9 = delay feedback epm 70 ; p10 = delay level
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