Biography
Over the last 35 years or so, John Scott has established himself as one of the finest composers working in films today. Although he is usually overlooked in favor of more familiar composers such as Jerry Goldsmith, John Williams and James Horner, John Scott has created a body of work that stands up as some of the best music written for films.

(Patrick) John Scott was born in Bristol, England in 1930. John's musical abilities are not without precedence; his father was a musician in the Bristol Police Band. Like many children John was given music lessons -- first on the violin and then, later, the clarinet.

When John was 14 he enrolled in the army as a Boy Musician in order to carry on his musical studies. He continued his study of the clarinet and also studied harp. Later on, John took up the Saxophone and became proficient enough that when he eventually left the military John was able to find steady work touring with some of the top British bands of the era.

As time went on people began to notice that John Scott had a certain ability as an arranger of music. John was hired by EMI and began to arrange and conduct with some of EMI's top artists. John worked with Beatles producer George Martin and has recorded such artists as Tom Jones, Cilla Black, and The Hollies. However, John also was a working, playing musician -- he played with The Julian Bream Consort, Yehudi Menuhin, Ravi Shankar, Nelson Riddle, John Dankworth and Cleo Lane.

In addition to this, in the 60's John was the leader of a popular jazz quintet. It was in this time that John started to play saxophone on some film scores. He played for Henry Mancini and was principal sax on the Goldfinger soundtrack. This exposure to film music wetted John's appetite for composing music for films. His first score was in 1963 for the film A Study in Terror. Since that "big break" John has gone on to score many films over the years. His efforts have not gone unnoticed: he is the recipient of 3 Emmy Awards.

John has not limited his compositions to the silver screen, he has also composed many concert works including a symphony, a ballet and 2 string quartets. He has also conducted other film composers work for release on CD as well as having conducted most of the major European Orchestras

John has also started his own record company, JOS Records. JOS is unusual in that it is a label that is run by a composer and that releases the composers own music. This is not unprecedented in the history of musical recordings (e.g. Elmer Bernstein's Film Music Club, and some Stanyan recordings by Rod McKuen) but I cannot recall it being done on this type of scale and for this length of time. JOS has released some 19 CDs since 1989! All film music fans should be thankful that these scores, some of them quite obscure, have been released at all.